Photograph by David Celdran
Style Watches

In Nyon, Switzerland, watchmakers assemble Hublot pieces by hand

Cutting edge technology and time-honored craftsmanship meet in this workshop
David Celdran | Jan 18 2019

The medieval town of Nyon, along the shore of Lake Geneva, is an unlikely location for what is arguably the most innovative watch company in the world. And though the modern glass and cement structure painted in Hublot’s trademark shade of black seems out of place amid the ancient vineyards of Nyon, the watchmakers inside the workshop are busy assembling mechanical timepieces in much the same way artisans did more than a century ago. The manufacture is the embodiment of the Hublot philosophy of combining cutting-edge technology and traditional craftsmanship. The company calls it “the art of fusion.”

Click on the image below for slideshow

A watchmaker’s bench. 

At the Confrérie Horlogérie Hublot, watches with tourbillions, minute repeaters, and chronographs are assembled by a single watchmaker. 

Hublot’s Unico movement. 

All completed movements are inspected manually and machine-tested for accuracy. 

Hublot Big Bang watches. 

It takes a full day to complete the process of assembling the movement from winding system to escapement. 

State-of-the-art CNC milling machines create the components used in Hublot’s in-house movements. 

The new Hublot manufacture in Nyon, Switzerland. 

Hublot’s most complicated movements are produced and assembled by the Confrérie Horlogèrie Hublot in a separate wing. 

Watches are vacuum sealed with argon gas before storage and delivery.

The head of the Confrérie Horlogèrie Hublot, Mathias Buttet. 

Since 2010, Hublot has been assembling its own Unico mechanical watch movements within the building. Some components are still sourced from suppliers, but the most important parts are made and assembled here. The near-term goal is to be a 100 percent-self-reliant watch manufacturer, where everything, including screws and gold cases, is produced entirely under a single roof.

 

Photographs by David Celdran

This story first appeared on Vault Magazine Issue 1 2011.