The announcement of Manila FAME’s downsizing, with just one show every year instead of the usual two, didn’t dim the participants’ spirit as seen in its latest exhibition which closed Saturday, October 19.
Over 300 local brands and manufacturers were featured, alongside participants from Asian countries. In response to the theme of Reimagined Heritage, a new and exciting Filipino style or look seems to be taking shape – more current, polished and courageous.
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One of Manila FAME’s highlights, the Design Commune installation, featured some standouts that convey the new look. Amid a peach-toned forest of pastel fabric strips, More Than A Chair’s statement piece, an armchair with brass frame and carved wooden back stood against the graphic patterns of a banig divider. In one obscure corner, Goltrio’s side table made form salvaged wood topped by a mother of pearl tray led to a handsome wood and solihiya cabinet by Artesania.
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The E-Fashion Retailers’ showcase displayed some strong and promising brands, among them Baul’s Pastillas bag which was designed and made by a maximum security inmate from one of Metro Manila’s correctional facilities for women. Genevieve Go’s triangular bag was actually inspired by the iconic tetrapak packaging. On show too were amusing takes on traditional motifs, like Edgar Buyan’s digitally-printed banig skirt, and a hand-painted buri and nito hat from Antique’s Kinuri Crafts which evoke the 70s-era Mabini art vibe.
Manila FAME’s latest edition wasn’t just about modernity. Various traditional crafts showcased in the Artisan’s Village gave the guests a glance back at where it all these began.
Photographs by William Ong